ARCHIVE, MIRROR GAMES, COMMUNALITY AND POETRY OUT OF ITSELF IN "NACISTE PINTADA" BY CARMEN BERENGUER: NOTES FOR A REREADING

Abstract

Twenty-five years after the publication of Naciste pintada by Carmen Berenguer, this article proposes to put into dialogue the most consolidated lines of interpretation about this book with some new approaches. These include the importance of the figure of the mirror games in its textual configuration, the questioning of established archives, the proposal for alternative archives, communality, and the commitment to the condition of poetry as a genre that is  “outside of itself”.